Kips Bay Show House 2012

"Gentleman's Study" by David Scott Interiors.

This year marks the 40th anniversary of the Kips Bay Show House but I've only had the pleasure of touring the last 3 in person, its something that I make a point of visiting if I'm in NYC during the show house dates.  For the first time in its history the location of the show house was in a highrise and it was on the upper west side.  The tour includes two separate duplex penthouse units in the Aldyn building, a new development on Riverside Boulevard overlooking the Hudson River.  Since i've been designing a NYC family apartment for the past 10 months I was particularly excited about this years show house location.

I'm passionate about all genres of design, I'm always looking to experience and inform myself (and my eye) more about design whenever I can.........so the opportunity to tour a house full of designer rooms is irresistible to me.  And lets not forget its a charity fundraiser, for children.  I'm more than happy to support the cause and the design community while expanding my design data base. : )

There are many reasons why I enjoy touring the show house.  The rooms are designed by some of the most respected and highly published Designers in the US and some of the newest up and coming talent.  I love to see other Designer's work because its often in a style not like anything I've ever designed or had the opportunity to explore.  I particularly love the chance to see designer spaces IN PERSON which is a completely different experience than seeing them in print, its the full sensory experience including touch, sound and smell.  Many of the rooms have music playing and scented candles and flowers and textures that enhance the design concept in a way you could never achieve just through photos alone.

Below are a few glimpses of some of my favorite details.

"Gentleman's Study" by David Scott Interiors. 

This room was both Michelle and my favorite.  Its amazing how the smallest amount of colour can have so much impact, we both referred to this as the blue and orange room and you really remember the orange even though the orange was in very small doses.  I could have spent hours sitting in this room taking it all in, it was exquisite, the furnishings, the art, the objects - it was a master class in the art of display.

"Master Ensuite" by Charlotte Moss LLC

I assume the bathrooms were pre-existing as built by the developer and the designers decorated around what was already there.  What I thought was interesting in this bathroom was how a very contemporary bathroom was decorated with very (old world) traditional art and accessories, it worked beautifully and I loved this look.  For all those trad loving empty nesters looking to downsize, this is a good example of how you don't have to abandon your traditional style if you move into a modern condo.

"Master Bedroom" by Charlotte Moss LLC.

"Master Bedroom" by Charlotte Moss LLC.

Carpet runner with leather tie downs.  My absolute favorite detail in the entire house. Loved this.

"Bedroom":  by Mark Hampton

There was a lot of high gloss lacquered walls throughout the show house.  In this room I really liked the simple detail of how these prints were hung, each were hung by a decorative hook/ring fastened to the top of the frame.

"Le Bureau Prive": by RM & Associates

This is a terrible shot because of the direct sunlight streaming into the room,,but that in itself is the issue I was interested in as I deal with this all the time on projects.  Selecting window coverings for privacy, for sun control and/or as a decorative element is a huge challenge whether you have stellar views or not so stellar views, it can get complex.  You might have a million dollar view, but direct sunlight is a killer on fabric, wood and artwork.  So I always like to note how the designer treats the windows.  A sheer roman shade is one of my favorites and one that I've specified in my NCY reno project.

"The Conservatory":  by Neal Beckstedt Studio

"The Conservatory":  by Neal Beckstedt Studio

Another favorite room of mine, I was really drawn to this mix and all the various layers in the room and again how the designer dealt with 2 walls of windows in a very small space.  Where do you  hang art!?  In this space, they suspended it in front of the window, placed it on table top easles and leaned the art casually around the room.

The good and the bad thing about this type of show house is that every room or area is designed individually, done in the designers chosen style and concept for their given room.  There is no single design concept flowing thru the house, the rooms don't necessarily relate to each other so you have to keep in mind its more like viewing a series of 'show rooms' than a show house.   While most of the rooms weren't done in a style that I'm partial to, I do appreciate any style of interior when its well done.   With no client to deal with, these spaces are the perfect opportunity for designers to experiment, take risks, and have fun. And if you have an eye for detail, there were loads of great details.  Regardless of specific room styles, they are chock full of great design lessons by the pros such as; scale, proportion, furniture placement, colour, accessorizing, display, hanging artwork, dealing with windows, unsightly hvac units and integrating home technology.

Logistically there are a lot of challenges the designers have to work with - time, donations, and existing elements in the spaces that can't be changed.  When I look at any of these rooms, I always first try to understand what the designer's challenges were so then I can appreciate how they solved them.   I also appreciate the amount of personal time and funds each designer put into their rooms and the efforts they make to drum up and work with donated products, labour and services.  The best part is, in many of the rooms the designer will be there.  They truly love to talk about their room design and answer your questions - I guarantee your impression of the room will change after hearing about their process and vision.

A couple of other highlights that I don't have photos of was the room designed by Bunny Williams, Brian McCarthy and David Kleinberg which was a tribute to the late Albert Hadley, complete with some of his framed original sketches (Michelle spotted these instantly, his drawings inspired her career).  Another was the kitchen designed by Robert Schwartz and Karen Williams,,,,it was so interesting to see the kitchen counters built in front of a floor to ceiling window wall.  I currently have a kitchen being installed at a clients summer home north of Toronto, similarly, its designed with counters in front a low window, intentionally, the window is new but placed and sized to look as if it was part of the original house, maintaining the original character of the home but also creates more of a furniture look.

*EDIT*

For Virginia ; )

Kitchen Design by Robert Schwartz and Karen Williams.  Photo via www.plumsiena.com

If you are in NYC the show house tours continue through Thursday, June 14th.  For those of you who can't make it in person you can check out some beautiful photos of some of the show house rooms at this site.


All photos above:  Carol Reed

NYC: ICFF 2012

I was fortunate to be able to spend half a day at ICFF last Saturday in NYC, it was my first time attending the show and I'd definitely go back.   During the couple of hours I was there I didn't get to see all the exhibitors, below is a roundup of my favorites from what I did see (and this was only half the show!).

These stools upholstered with vintage fur were my absolute favorite thing at the show, I wanted to just scoop them up and take them with me.  Unfortunately they were just props at the APPARATUS booth and not actually part of their product line,,,but by the time we finished telling them how much we loved them and had to have them,,they confessed they were going to add them to their collection because they'd had such great response!!!  Aside from the stools, I really love this studio's lighting products which are made from vintage components and found objects, the Cloud chandelier (shown above) with frosted glass orbs and oxidized brass chains was s-t-u-n-n-i-n-g.  I want.

Rattan Caning + Modern Lines.  I love this.  Throne series From Autoban 

I'm always drawn to circles and this glass and marble mosaic from Country Floors caught my eye. I think the grey grout really makes this.

I can't resist a beautiful piece of modern walnut furniture.  The May Credenza had impeccable lines with blackened rolled steel top and I LOVED it.  Miles & May. 

It was fun to meet the guys of Rich Brillant Willing + one dad! (I loved that Charles' dad was helping them out working the booth - he completely sold us on the new walnut table.)  : )  My favorite is the Quart lamp (above) and I'm lovin the new Delta pendant series so much I've just proposed the Delta IV (shown below) to a client.

A great little wood and marble side table from Blu Dot.

For all you HB2 lovers.  This brass devil is From JONATHAN ADLER.

Curiosities, found objects and vintage industrial furniture made this booth popular.  I found the way the objects were mounted on the wall quite interesting.

Indusrial style lamps in a rainbow of colours, the JIELDE booth was truly eye cathching. There's few things I'm drawn to more than an adjustable arm lamp. : )

I love a good grommet, and always need them but they are hard to find.  Impressive collection of sizes and finishes from MOCKETT.

One of the most beautiful light fixtures I've seen in a looong time.  This was a stunner! Brushed brass rods with lily pad shaped, hand formed copper panels with enamel finish.  Designed by Kiln Design Studio for Bespoke Global.

I adore Lindsay Adelman fixtures, they're works of art.  Theirs was a fantastic booth complete with workbench for assembling fixtures during the show.  Sadly they were on lunch break when we stopped by but I would have loved to have watched the process.  One of the things I admire most about Lindsay as an artist is the fact that she shares step by step instructions on her company website, "You Make It", on how to make your own Lindsay Adelman style fixture from off the shelf parts (it's how she started).  If you've never visited the site, its a must see. Lindsay Adelman.

One of the highlights of last years show was till causing a buzz this year, the Scrapwood Wallpaper designed by Piet Hein Eek for NLXL.  I'm not typically one to use 'faux' anything but I'm crazy for this entire collection, with digital technology these are more like photographic murals.  They are so authentic looking even when you touch it you still can't believe its not real, it has huge visual impact.  I also spotted some at the Kips Bay Showhouse the day before (located in a highrise duplex on the Upper West Side). 

Their newest wallpaper colleciton is Concrete by Dutch designer Piet Boon and it was attracting as much attention as the Scrapwood series, and their other newest collection Merci, vintage metal panels. All on display at NLXL's booth.

Hope you enjoyed seeing some of my favorites, believe me this was just a drop in the bucket.  The show is open to the Trade and to the public on separate days, if you ever find yourself in NYC during the International Contemporary Furniture Fair (ICFF) I highly recommend a visit.

An Artful Lunch

I was in NYC last week to attend site meetings at my Upper East Side renovation project and to meet up with my good friend Michelle Morelan from A Schematic Life who was visiting from Vancouver.  Michelle and I spent several days together enjoying shopping, dining, theatre, and attending some design events but the highlight of my week was our day trip to Westchester to visit our friend, the incredibly talented artist/illustrator Patricia of PVE Design.

The entire day was a 'pinch me' day of the best kind!  It started off at Grand Central Station (Oh my, I could spend a day in there easily) where we picked up a bottle of chilled proseco and a bundle of bright orange roses before boarding a train for a scenic 35 minute trip along the Hudson river.

The main concourse at Grand Central Station.  Next time, I'm bringing my good camera and spending a lot more time here.  So much to take in...the architecture, the shops, restaurants....I spotted an oyster bar restaurant with Saarinen style tulip tables and chairs. : )

Dahlia's flowers in Grand Central is fantastic, a huge selection of fresh seasonal blooms and the best prices I've seen anywhere.  All bouquets from $5 to $15.  Irresistible.

Michelle and Patricia in Patricia's gorgeous, 'almost complete' new kitchen.  New stools are in the works and a seating area will occupy the spot where I'm taking this photo from.  I LOVED the floor tiles from Walker Zanger which looked like polished concrete and how she's layered them with antique rugs.

Not only did Patricia pick us up at the train station and give us a driving tour of her charming Village full of character homes (seriously I was expecting to see Martha Stewart at any moment!) but she had the most amazing lunch planned for us.  It was all organized ahead so when we arrived we could make lunch together, it was sooo much fun putting together these dishes - honestly this was the most beautiful and delicious dish I have ever eaten.  Its going to be my new go to favorite.

  

The recipe from my memory; roasted sliced beets, roasted sliced sweet potato, layered napoleon style with goats cheese in between.  Topped with sauteed beet greens, pine nuts in olive oil and a sprinkling of freshly grated nutmeg.  TO DIE FOR.  Plated on vintage blue & white dishes from Copenhagen and set with her wedding silver cutlery.  I promise to get the actual recipe from PVE and post it below.

   After lunch Patricia took us on a tour of the historic Sunnyside estate, home of Washington Irving, located on the Hudson river and just a few minutes from her home.  I purchased a compilation of some of his stories and look forwarding to reading them now especially after being in the room he actually wrote them from.  I wished I had taken photos inside the house, it had a wonderfully simple, timeless kitchen and I was crazy for the various pantries.  An entire walk-in just for cookware and serving ware, another one just for china and crystal.  Sigh.

 "Absolutely Beautiful Things" by Patricia van Essche.

As if she hand't spoiled us enough already, Patricia gave each of us each a box of note cards made from her original artwork.  I love love love these, I'm always so drawn to blue & white so everything about this image grabs me.  This particular painting is called "Absolutely Beautiful Things" and was inspired by the blog of that same title written by Anna Spiro.  What I love most about these cards, is giving them - and telling the recipient all about the card's artist and my friend PVE.  (BTW, If you'd like some of these cards they're available on Etsy or by contacting PVE directly.)

Thank you Patricia for chauffeuring us, for lunch, for the Sunnyside Tour, and especially for the tour of your own beautiful home including your spectacular new studio space (polished concrete floors!!), its absolutely stunning.  It was a thrill for two Interior Designers to hear you describe how your newly designed spaces have had such a transformative impact on your life, to us, that's the true value of great design we wish everyone could experience.  You are a gracious host and a beautiful person in every context of the word.  This visit left me feeling uplifted and inspired in many ways just when I was feeling a need for a boost. 

NYC Reno: The Family Plan

I started working on this renovation project in New York City last June, the scope of work was extensive as it involved converting 3 adjoining apartments into one single family residence. (Check out some of the before photos and my introduction of this project here.)  At the very onset of a project I usually formulate a vision for the bones of the space very quickly.  In this case, my clients who are parents to three young kids were in synch with this vision, represented in the collage above.   Timeless elements like natural wood and marble, fresh white walls with panel molding for classic character, fixtures with clean simple lines and vintage patina - would become the backdrop for this family's busy city life in the Upper East Side for the next 20 years or more.  It reflects their affection for tradition but will exude a young and modern edge, just like them!

The 'Before' Plan

The existing three apartments had tiny enclosed kitchens and equally small bathrooms.  The biggest challenge in redesigning this space, aside from ALL the structural elements that couldnt' be moved, were the rules of the building.  It seemed the more layouts we came up with, the more the rules changed.  No problem.  I can design around anything - I was coming up with new layouts as fast as they were coming up with more rules.  : ) After weeks of marathon space planning the conclusion was -  NO kitchen or bathroom could extend beyond their existing footprint, NO plumbing drains or appliance locations could be moved, AND no additional bathrooms could be added.  Uh huh.  Did you look at the existing plan?  Soooo, Carol, good luck getting that dream kitchen into a closet, scrap the luxurious Master ensuite with double vanity, and forget about the convenient new powder room off the foyer.  : /  Discouraged yet?  My clients were.

I"m not gonna lie,,,the decisions from the Board were crushing to the homeowners.  As more and more restrictions were placed on them, they doubted whether this space could ever come close to suiting their needs no matter how extensively it was renovated.  Thoughts of scrapping the entire reno entered their minds,,,,,, until they found this plan in their inbox. 

The Proposed Plan

At first glance this plan may not look super impressive, but this really was a triumphant success. We have a 'spacious' open concept kitchen!!! A decision was made early on that the kitchen in the middle Apt. B would be the new kitchen, and the main entry would be thru Apt. C, this allowed for a split bedroom plan.  All good, except the kitchen in Apt. B had a column in the middle of it and no where to put a fridge if we took down the walls.  (It was so space challenged the existing kitchen only had an 18"wide dishwasher.)  

Two key elements allowed this plan to happen,,,,,,,#1 we were permitted to move the washer/dryer out of the kitchen to a closet within the footprint of the main bathroom, and #2, even more crucial - under counter refrigeration!!! I've been using under counter refrigeration for about 10 years and it's been the 'hidden' key to many successful kitchen redesigns.  I was able to place 3 fridge drawers and 1 freezer drawer in the peninsula, equivelant to a standard fridge.  All plumbing and appliances remained within the footprint of the original kitchen = Board approved!  The compromise as you can see, the column is still there and it falls right in the middle of the peninsula - but that's one small compromise in exchange for this expanded family style kitchen.

When my clients received this plan the single sentence response I received by email was "you are my hero"!  An exaggeration, a wee bit ; ) yes, but I was thrilled they liked it.  They loved it.  For me it was so satisfying to know I was able to help turn this space into everything they had hoped it could be instead of it becoming their biggest disappointment.  That's the value of design.    

Custom Details & Elevations

This plan indicates where all the custom built-ins and custom details will be located and identifies all the new interior doors.  Well planned built-ins and well appointed doors will take advantage of every square inch and integrate awkwardly placed obstacles into useable space. 

What I love most about this new layout;  the open concept kitchen lets mom interact with the kids and benefits from the natural daylight, the dining table can extend into the living room when needed, the master gets a luxuriously large dressing room and the kids have a separate lounge area, in fact the entire kids 'wing' can be closed off from the main living areas whenever the parents chose.  To make the most of a tiny master ensuite I created a spacious vanity area outside of the bathroom which will be finished in the same materials as the bathroom so it all reads as one larger space.  There's a lot of great features packed into this 2200 sf home.  A 4+ bdrm, 3 bath plan - in manhattan,,pretty sweet.

Preliminary Furniture Plan

This is how this new family apartment will be used.  To help clients visualize if the proposed layout will meet their particular requirements I draw up a general furniture plan so they can see if that king size bed will fit or how many dinner guests they'll be able to seat.  The furniture is generic and except for sizes, the pieces are not specific unless the homeowners have existing items that must be used.  Otherise I create a generic layout like this which then becomes the basis for the electrical and lighting location plans.

Each of the kids rooms will have built-in desks with storage and the Den will do double duty as a home office and guest bedroom, we'll be creating some open niches and shelves into the dividing wall in the Den but unfortunately it can't be moved. 

 All of the Interior Design plans were completed last September and construction started on site about 4 weeks ago.  Currently I'm finalizing the paint and wallpaper specs (yes there will be some colour and pattern!) and dealing with the daily issues and changes that come up.  That's the nature of a renovation,,,,expect the design plans to go thru a round of changes after demolition is completed.

Like the change to this small hall closet that apparantly will be even smaller due to the unexpected size of the column. yikes.  That's the contractor, with a set of my drawings, explaining to the homeowner why this framing is not jiving with my plans...  

I'll take you thru the design plans for the kitchen and the individual bathrooms in future posts. 

All images, drawings and photos are the property of Carol Reed Interior Design Inc. and may not be reproduced.

To.pi.ary

I've had an affection for topiaries for as long as I can remember, going way back to before I ever went to design school.  I remember making them out of moss or dried roses for my own bedroom when I was just a teenager (ok, so maybe I spent a little too much time in my room!?).  I think its the sparseness and their sculptural quality that I'm drawn to, very much the same reasons I'm drawn to potted orchids - simple but ornamental.  Looking back at past projects I notice that I've used topiaries on almost every job, from traditional to modern spaces.  They're an artistic form of nature that I find timelessly appealing.

Last year at this time I was in NYC and I remember being captivated by a shop window that was full of topiaires. I stood there gazing (drooling) as if they were designer shoes or handbags,,,,,,for what seem like ages, wanting so badly to take a few home with me!  

Rosemary topiaries are one of my favorites, beautiful and edible!

On a recent photoshooot I used a couple of mismatched ones to style my clients kitchen table.  At the time, I had to scour the city trying to find them (why is you can NEVER find what you need when you want it!!??) - all I kept thinking of was the little shop in NYC that had been overflowing with them...

I love the look of this one, its wild shaped top paired with a modern cube pot.  This one currently sits on my own coffee table, a nice change from the fresh orchid I usually have here.

My current favorite pot for topiaries are these taupe coloured clay pots from Home Depot. I'm simply crazy for this colour which i find so much more chic looking than typical terracotta colour.

**Edit**

I couldn't do a post on topiaries without including this space by one of my favorite designers Vicente Wolf.  I simply love everything about this grouping, especially those chairs.

It feels good to be back on the blog again - its been a while!!  So much to blog about soo little time,,,,I'm looking forward to updating all that's been happening here soon......

All Photos:  Carol Reed

NYC: Wall Street Architecture

When I was in New York earlier this month working on the Upper East Side Reno I spent an afternoon walking around the financial district on a sweltering hot Saturday afternoon.   Although I happened to have my DSLR with me it wasn't a pre-planned photoshoot destination but once there I was simply overwhelmed by the architecture that surrounded me.   I had never been to Wall Street before nor did I know much about this iconic eight blocks except for the image I had in my head from movies, television and the media in general.  I've been to the city many times but honestly I had never really had any interest in visiting Wall Street or given it much thought at all (what can I say, I live in the world of Design not not high finance!).  You can imagine how ecstatic I was to discover this haven of architectural beauties.  How did I not know about this!?

Its difficult for me to find the right words to describe my impression of Wall Street,,,because it was so unlike anything I had imagined it was or expected it to be.  The sheer towering scale of the buildings viewed from the very narrow streets is sensational, the neighborhood is strikingly charming and quaint in a way (?) with its centuries old architecture, cobblestone walkways, a Tiffany's,  and the historic Trinity Church holding court at the end of the street.  The street is a pedestrian only zone with no vehicular traffic and facades are void of signage or advertising only flags, all this completly evokes a feeling of being in a world of another time and is so unlike a typical urban streetscape.   Since I'm really not doing a good job here of describing what I saw, how about I just show you a few of the photos I took.....

What I love about the buildings here is that the colours are all so grey toned that even when you shoot and view the images in colour its very monochromatic looking.  All the images above are shown in colour except one!

I'm a complete amateur photographer but it is a passion of mine.  I love to shoot landscapes and streetscapes particlarly, I don't use photoshop or edit my photos in any way except to convert to black and white or crop images.  When I want high quality prints made for framing I send the image off to Elevator Digital and they take care of all the technical issues for me (resizing etc.).  Mostly, I like my images to remain true to the way I shoot them without any enhancing or special effects.  Sometimes I like to shoot slightly overexposed, sometimes underexposed depending on the mood I'm trying to capture.  What I love to do with my photos the most is have them printed and framed for wall art, sometime for myself, sometimes for clients.  When you frame an image it takes on an entirely new dynamic, I'll be getting several of these printed and framed and they'll be something like this...

Unless I'm doing one large oversize print, I try to group images into groups of 2, 3 or 4's combining both landscape and portrait orientation as I did above.  Once I've decided on which images I like grouped together, I'll decide if I want them printed in black and white or colour.....

....and then I figure out my final image sizes, matt sizes and decide on frame colour by doing mock-ups similar to these (very rough above!), often I do this on a scaled elevation of the wall and I'll normally include the frame too (not shown on the above).  For frames I always do a simple rectangular profile in white, black, silver or natural wood.  Lately I've been doing a lot of white framed coloured photography, which I LOVE.  Then once all this is figured out I send the original image files off to Kevin at the printing lab who takes care of printing, matting and framing for me.

If you ever visit NYC I highly recommend a visit to this neighborhood whether you're passionate about architecture or not, its simply an experience like no other.

All Photos:  Carol Reed